By setting the Fstop so low means that you can reduce the ISO on your camera, creating less digital noise in your shots while still obtaining the same amount of light. I can now offer a 5% discount on all purchases at, Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on LinkedIn (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on WhatsApp (Opens in new window), Sigma 16mm f/1.4 DC DN Contemporary Review, Adobe Photoshop Creative Cloud 1-Year Subscription, Tamron 70-300mm F4.5-6.3 RXD (A047) Review, Tamron 70-300mm F4.5-6.3 RXD Image Gallery, Viltrox AF 56mm F1.4 Review and Image Gallery, Erotic Planet - Amateur Couple Fucks Hard, Supports all Sony focus technologies, including Eye AF, Good sharpness at f/1.4, exceptional sharpness and contrast from f/2 and beyond, No lateral CA, and little to no axial CA after f/2, Largest in class maximum aperture adds to versatility, Minor amounts of distortion remain after correction. Now for the good. I love shooting backlit scenes and adding that sunburst effect as a finishing detail. The Rokinon FE14M-S 14mm F2.8 Ultra Wide Fixed Lens is intended for fullframe cameras, although is compatible for APS-C sensor cameras and should work with it. The footage is noticeably sharper than average, and I fully expect this lens to be a favorite with videographers. And it is silent. In real world shooting I was very happy with the results, with a lot of good detail showing up at a pixel level. Sony loves innovation, and my opinion is that they are much better at developing new technology than they are at fully realizing (and servicing) existing tech. Images look very good coming out of the lens, but neither was I wowed in any particular way. You might come across some chromatic aberration at the fastest values but you can easily correct it in post production. Wide open (f/1.4) the center performance is stronger than the corners, but neither are the corners mushy, either. One nice touch that I’ve seen on some of the ART series lenses and that is included on the 16mm DN lens is a rubberized transition zone on the included lens hood right where you would grip the lens hood to loosen or tighten it. It will take 5% off your entire order! Lumens, Apr 18, 2017 #9. liggy likes this. Like many other native E lenses, the 16-70mm is quite compact on APS-C bodies, weighing just 308g. Distortion can be corrected via the lens profile in Lightroom but chromatic aberration, which is present up until f/8, is a bit trickier to eliminate. If you were planning to do some macro work with your wide angle lens, the 16mm DN is certainly not going to your first choice. Mostly for astrophotography and also general landscape shots. Within the article, there are affiliate links. The 12 mm is definitely worth the money, but the 16 is my favorite. Fast Aperture. Gear. The Rokinon 10mm f/2.8 ED AS NCS CS Lens is a prime, manual focus wide-angle lens designed specifically for use with APS-C sized image sensors. Pros + Well built with tight tolerances + Focusing ring is nicely dampened + Widest rectilinear prime available in K mount + Highly resistant to flare 7 reviews. If you have used the Rokinon 8mm f/2.8 Fisheye, this lens will feel remarkably similar and that’s a very good thing. The ribbed focus ring is very smooth and precise, as is the de-clicked aperture ring. This collection of lenses, however, demands a much more deliberate effort to compare how they see the world in front of them. Mirrorless lenses (unless they are manual focus), rely on a focus by wire system. The metal chassis feels solid and hefty and the built-in lens hood suits the lens very well. Were I to buy an extreme wide angle lens for my personal collection, this would definitely be it. We have a non-AF 12mm from Rokinon/Samyang, but then the only other wide prime in affordable price range is the Sigma 16mm… It also comes in a much wider range of lens mount options than the Sigma 15mm f/2.8 EX DG … The bokeh is also very smooth and pleasant, and you can achieve good subject separation by focusing close to your subject and using the fastest aperture. The Rokinon 12mm f/2.0 NCS CS lens ($299) for Micro Four Thirds is an affordable, effective optic for night sky photography, as I talked about in the last TDS podcast.But this lens is no one-trick pony. We’d like this vignetting to … Unfortunately, unlike the Fujifilm version of this lens (pictured above), it doesn’t have an aperture ring. For example, Lonely Speck states that the levels of coma at f/2 are very low and practically non-existent by f/2.8. All look superb. Good color, great dynamic range, and a nicely detailed 24 MP sensor. Providing a 35mm-equivalent focal length of 16mm and a broad 105.9° angle of view, this lens is ideally suited for interior, architectural, and landscape photography applications. Zoom: I inadvertently put this to the test, as I was shooting a wedding in Portland, Oregon, and had the lens in a harness system. → Pentax Lenses and Accessories → Pentax SLR Lens Discussion → Zenitar 16mm vs Rokinon (Samsung) 14mm Although there are quite a few E-mount zooms in existence, only a couple suit the size and weight of the APS-C range. Hi Roman, I believe Rokinon 12mm F2.0 NCS CS Ultra Wide Angle Lens would be the best for your Sony A6000 camera as this lens is tailored for APS-C crop sensor cameras (like the A6000). You get to take advantage of that great sensor and still get a nice 18 MP of resolution. However that certainly doesn’t stop me from buying these lenses for my hobby, of course, which is astro-landscape photography and general adventure photography. If this were an ART series lens designed for DLSRs, it would be a thousand dollar lens, so at less than half that it definitely earns an easy recommendation. The compact and lightweight Rokinon 12mm f/2.0 NCS CS prime wide-angle lens for Samsung NX APS-C sensor cameras provides a 35mm-equivalent focal length of 18mm with a broad 98.9° angle of view. I only noticed them at a pixel level examination of the image. I found it more challenging than I’m accustomed to on DSLRs. I know others are available but suffice to say 6 months of trawling have led here. It is well-suited for architectural, interior, and landscape images, plus its fast f/2.0 maximum aperture benefits working in low-light conditions. Note that vignetting and chromatic aberration are present at f/2.8 and f/4 and flare will occur if you shoot into direct sunlight. Sigma vs. Rokinon Centre Sharpness Compared. Before I break down the details of the lens performance, I do want to raise one more point. See my full video review here! I had to go digging to find the vignette to demonstrate here. Despite being an ultra wide angle lens, it is fairly compact, tipping the scales at just 225g. As previously noted, the physical design of the 16mm DN is instantly familiar to those who have used either the 30mm f/1.4 DN Contemporary or a lens like the 35mm f/1.4 or 50mm f/1.4 ART lenses. Using face recognition AF results in consistent autofocusing on faces, even as the subjects move.” In other words, the 16mm DN supports all of Sony’s new bells and whistles on their newer mirrorless bodies. © 2012 Dustin Abbott. Personally, I would not use the Samyang 14mm f/2.8 for astrophotography, but if you need a pretty decent ultra wide-angle lens for landscape photography, it is of good value. Thanks! All in all, I’m pleased enough with the lens that I purchased my own copy at the end of my review, and that is really the highest praise I could give it. I’m a landscape guy so I’m content using a tripod in low light, and I’m not too concerned about hand-held shots. Some strong flare and ghosting can appear in extreme backlit situations but I didn’t find it to be overly problematic. I like having the two framing options from this lens, as both perspectives are highly useful from a storytelling perspective. They are both stiffer than the typical Fuji lenses’ ones and that’s a good thing. The AF is near instantaneous as I move from minimum focus to infinity targets, locking on silently and confidently. So all you see with regard to its function suit my camera. If you’re in to low light hand-held shooting and like ultra wide angle views, this would be a great addition to your arsenal. I can now offer a 5% discount on all purchases at Amplis Foto, Canada’s Leading Photographic Supplier. The upside of a focal length this wide when used from a gimbal or something similar is that the depth of field is going to be quite deep at most apertures, meaning that the focus shifts are going to be minimal anyway. Distortion and vignetting aren’t an issue despite the ultra wide focal length of this lens, and flare and chromatic aberration hardly appear at all. However everything else about the … Our newsletter goes out every week on Sunday. This is great in real world use, but as a lens reviewer it can be a little difficult to divorce lens performance from camera corrections. One of those areas is when the ISO level goes up, as I find the “look” of the pixels to be more obvious on APS-C. A lens like this 16mm f/1.4 certainly helps that problem, though, as due to the wide maximum aperture, easy to handhold focal length, and, in the case of the a6500, an excellent IBIS system (In Body Image Stabiization), there are very few situations where a high ISO level will be necessary. The performance deteriorates a little in the corners and at the longest focal length (70mm). Canon 7D/350D, Σ17-50/2.8 OS, 18-55IS, 24-105/4 L IS, Σ30/1.4 EX, 50/1.8, C50/1.4, 55-250IS, 60/2.8, 70-200/4 L IS, 85/1.8, 100/2.8 IS L, 135/2 L 580EX II, 430EX II * 2, 270EX II. Rokinon’s wide angle lens is the best you could get at an affordable price. Image not available. The bokeh is also very nice, so you can achieve good results by focusing at the minimum focus distance (16.5cm) and f/2.8. The 16mm lens corresponds to a classic wide angle of 24mm, and with an extremely large maximum aperture to boot. The premium competitors (Zeiss Touit or Sony Zeiss options) are mostly double in price, and the similarly priced or less expensive options lack the feature set of the 16mm. In this article, we’re going to take a look at the best wide-angle options currently available to those who use Sony APS-C models such as the a6000, a6300, a6400 and a6500. It has a bright 1.4 aperture and comes at a very reasonable price, making it a very appealing choice for anyone who uses a Sony APS-C camera. ThePhotoForum: Film & Digital Photography Forum. You can also fit 49mm filters to the front. A nice bonus is that the nine bladed aperture produces very nice sun bursts/sunstars with the lens stopped down, which I really appreciate in a wide angle lens. There is a bit of veiling (lower contrast) wide open that I traced to a fairly common problem with wide aperture lenses – some axial (or longitudinal) chromatic aberrations. Sharpness is very good even at f/2.8 and the quality of the background blur is decent. The results are very sharp through the aperture range up until about f/8, with peak performance occurring between f/4 and f/5.6. Comparison – 7artisans 12mm F2.8 vs Rokinon 12mm F2. ©2018 Alan Dyer . As you’d expect from a wide-angle lens, there is lots of distortion and vignetting but both can be corrected by applying the lens profile. Rokinon is the same company as Samyang, above, but they brand some of their lenses differently than others. Whether you’re a landscape photographer, a nightscape photographer, or an in-your-face portrait or action sports photographer, you might be in the market for an ultra-wide prime lens.Rokinon now has three 14mm lenses on the market. I have a choice between the two lenses. The build quality is good, with its mixed metal and plastic construction, but the loose focus ring is somewhat annoying, as is the lack of a hyperfocal scale and electronic contacts to transfer EXIF data. Though it shared a lot of design elements with the SLR ART series primes (similar body style and materials), along with the wide maximum aperture that ART primes are famous for, it was, ironically, badged a “Contemporary” lens. In practice, the Sigma 16mm f/1.4 DN has great autofocus. The 16mm DN is the first Sigma mirrorless lens to include some moisture resistance, which I think very important on a lens that will likely be used for landscape work. This doesn’t happen with the 30mm lens. This image shows both lenses in one frame, but with the Sigma wide open at f/1.8 and stopped down to f/2.8, vs. the Rokinon wide open at f/2.4 and stopped to f/2.8. Since I primarily use these lenses for shooting stills and video in dimly lit situations, their fast lens speed is very important to me. The 14mm is heavier because its designed for full-frame. I think Sigma delivered what they needed to here. It’s a nicely made lens that has a premium look and feel to it. Please enter discount code: AMPLIS52018DA in your cart. Focus breathing is also substantial, so you’ll notice a change in your field of view as you adjust focus. You can purposefully see the distortion by turning off the profile correction, which shows that the lens definitely has some moderate barrel distortion. If you want much better optical performance though, the Samyang / Rokinon 14mm f/2.4 is a much better lens in comparison. For stills, the autofocus is quick and accurate, and the image quality is definitely at the top of the heap. Third party lenses get the first party treatment for in camera corrections of things like distortion, vignette, etc…. Sony E 16mm f/2.8: Up until the arrival of the Sigma 16mm f/1.4, the Sony 16mm f/2.8 pancake lens was the only option Sony E-mount users had if they wanted a 24mm equivalent prime (35mm format) with autofocus. Coupled with this fast aperture, it also provides the perfect focal length for astrophotography. Prime: - Rokinon 24mm F/1.4 Aspherical Wide Angle Lens - Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens - Rokinon 16M-C 16mm f/2.0 Aspherical Wide Angle Lens - Rokinon 10mm F2.8 ED AS NCS CS Ultra Wide Angle Lens . Unfortunately this has never been a big Sigma strength in the many Sigma lenses that I’ve tested. There are certainly no odd color casts, nor do images look flat and unsaturated. The 16mm DN is 3.63” long (92.3mm) and a fairly narrow 2.84” (72.2mm) in diameter. You can expect excellent results at f/5.6 and the performance is also good at short focus distances where you also get a decent out-of-focus rendering. When I rescued it at the bottom, however, while the lens hood was knocked askew and had pushed the rubber of the focus ring back a bit, I was able to quickly straighten everything up and ended up with no more than a small scuff on the lens hood. Comatic aberrations are something I try to test and look for with any wide angle options that might potentially be used for astrophotograpy (stars) or similar purposes. Thank you for your support. It has a build quality that puts it up near the luxury end of the class of lenses available for Sony E Mount (particularly the APS-C lenses), and a price that is only moderate at $449 USD. That’s a great focal length, and is very useful in either Super 35 or crop for the classic framing options it gives. On top of that, it's fairly safe to say that Sigma 16mm f/1.4 DC DN is a more popular lens, based on its 20+ reviews. Chromatic aberration is minimal, as is vignetting. It is essentially only an issue at f/1.4. This lens will be purpose bought for landscape astronomy in mind and thus, I’ll be buying as fast of lens as I can get, which is the Sigma ART 14mm f/1.8, which comes with a $1,500 price tag. There isn’t any weather-sealing, which is a shame considering its price, but you can’t really complain about the build quality which consists of an all-metal exterior and nicely damped zoom and focus rings. Sony is very much a forward looking company, and that has both good and bad points. The Rokinon 12mm F/2 performs very well; especially for the price. Although it benefits from a constant f/4 aperture, sharpness is never as good at this value as it is at f/5.6 or f/8. It’s fast, really fast! The lens weighs 14.29 oz (405g). 15mm Laowa vs. Rokinon 14mm SP vs. Sigma Art 14mm – Comparing the left side of the image for vignetting (light fall-off), wide open and stopped down. The optical performance of the Rokinon 12mm F/2 lens reminds me of the Sigma 19mm F/2.8 reviewed here. I’ve saved some of the best news until last. The Sigma 16mm f/1.4 DC DN Contemporary provides something unique to the Sony E Mount lineup and is an attractive lineup even on the M43 side of things. The widest lens on the list, equating to 13.5mm in 35mm terms, is the Laowa 9mm f/2.8 Zero-D lens. A secondary issue is more about the nature of mirrorless. It’s not always foolproof, but, then again, I’ve yet to see anything on a Sony system that quite matches the magic of Canon’s DPAF for video servo AF face tracking. The Sony E 10-18mm f/4 OSS was, at the time of its release in 2012, the only wide-angle zoom for Sony APS-C, and to be honest, the selection hasn’t really improved since then! This is about ¾” (19mm) longer than the 30mm, but only about 7mm larger in girth. Lateral CA is mostly unaffected by aperture, and will appear at most aperture values. It clicks firmly against the lens mount with no noticeable side to side play and only a slight amount of rotation play, no more than any of my other lenses. This means that when you turn the focus ring it sends input to the focus motor, which then moves the elements to focus. The same truth applies here. How Are We Doing? The byproduct is a rather poor 0.10x magnification (1:9.9 reproduction ratio). I should note here that the lens is easy to add filters to at a very common 67mm size, which certainly adds to the value as a landscape lens. It is interesting to note, for example, that at the moment when I click the shutter I can see the sides of the images being “stretched” as the lens profile is added. Sharpness is impressive across the frame even at the fastest aperture, and as the Zero-D moniker suggests, there is very little distortion to speak of. Why choose the Sony E 10-18mm f/4 for your Sony APS-C camera: An all-purpose lens that most Sony APS-C users will want in their collection is the 16-70mm f/4 ZA. While all Sigma lenses use a lot of the same materials (a mixture of metals and their “thermal composites”, aka high end engineered plastics), some Sigma lenses have a slightly more premium feel to them. I’ve saved some of the best news until last. Here are a couples I have been looking at . At f/2 sharpness is already excellent in the centre but the best results can be found between f/4 and f/5.6. Saville is quick to state that, having tested the lenses, the Sigma 14mm f/1.8 is the best of the bunch… but it’s also the most expensive at $1,600. I’ll comment more on the bokeh quality in a moment, but Sigma does a good job of maintaining a circular shape even with the aperture closed down a number of stops. While I didn’t get an amazing astro night during my review period (this time of year brings either overcast conditions or bitter cold conditions, often with a bright moon), I did get one extremely cold (-32 C) night were I was able to go out (briefly) and shoot stars (brrrrr….). I see no reason why this lens couldn’t be a friend to, say, a realtor who needed to shoot interiors for a listing. All in all there is a lot to like and little to criticize here. Not exactly the prime time of year to get great color. When working in S-AF, we generally found the linear AF motor to be quick and silent. Focusing is also fast on the latest bodies despite the age of the lens. Opens image gallery. This weakness aside, the 10-18mm is a well-rounded performer, delivering good autofocus on the latest bodies and decent optical stabilisation down to 1/2s (at 10mm) or 1/4s (at 18mm). This lens does seem better than average though. This site uses Akismet to reduce spam. Equipping your creativity, since 1974. This video breaks down the build and handling of the 16mm DN. Ethics statement: All opinions expressed in this article are based on our real-world experience with each lens unless otherwise stated. I have a nikon D300 with cropped sensor at the moment and am quite happy with it! The lens focuses smoothly and quietly during AF-C mode, and I found face tracking to be better than typical for the Sigma DN series, with no noticeable “glitches” where my face was lost. The good news is that the newer DN lenses (16 and 30mm) have been developed with Sony’s newer AF technology in mind. This is why the announcement of the Sigma 16mm f/1.4, with its 24mm equivalent field of view and fast maximum aperture, was such breath of fresh air for E-mount users. Why choose the Sigma 19mm f/2.8 for your Sony APS-C camera: A lens whose performance comes very close to that of the Sigma 19mm is Sony’s own 20mm f/2.8 (30mm in 35mm format). It’s wide enough to be a great vlogging lens without being too wide. So, the 16mm DN is getting some in camera help, but the good news is that the end product is pretty excellent. It doesn’t feature weather-sealing but the aperture ring is very precise and its focus ring is sufficiently stiff that it won’t move accidentally when shooting landscapes or astrophotography. The Contemporary designation apparently comes because the lens relies on electronic correction (through the embedded profile) to correct for some things like distortion and vignette rather than the correction coming solely through the lens optics (which ART lenses are supposed to do). The Rokinon is a great choice for urbex and caving photographers as well as extreme action sports, astrophotography, and landscape works. Rokinon 12mm F2.0. Hi Roman, I believe Rokinon 12mm F2.0 NCS CS Ultra Wide Angle Lens would be the best for your Sony A6000 camera as this lens is tailored for APS-C crop sensor cameras (like the A6000). Thanks to its minimum focus distance of 25cm, you can comfortably work with this lens even in tight spaces. If you need magnification from your wide angle lens, something like the Samyang/Rokinon 12mm f/2 lens might better suit your purpose. Most lenses deliver a fairly good color performance, with a few outliers. This is such a lens, and nothing about the lens feels cheap. Adobe Photoshop Creative Cloud 1-Year Subscription All Rights Reserved. The main difference is that despite falling into the “budget” lens category, it is still $150 more expensive than the 19mm. The main advantages of this lens compared to the Sigma are its extremely compact construction and a very affordable price point. I have decided that what matters in my Sony reviews is to report on what you are going to see as the end user, which is going to be the images after correction. Ended: Nov 25, 2020, 05:57:03 PM EST . The compact and lightweight Rokinon 12mm f/2.0 NCS CS prime wide-angle lens for Samsung NX APS-C sensor cameras provides a 35mm-equivalent focal length of 18mm with a broad 98.9° angle of view. The lens hood also snaps in place with a … The focus ring is rubber, like the older version, but doesn’t have the grippy ridges of the old version. This axial CA does rob a little of the wide open contrast (which may or may not be a bad thing depending on your subject and/or shooting style). Why choose the Sigma 16mm 1.4 for your Sony APS-C camera: Before testing the 19mm, I admit that I didn’t have particularly high hopes given the very low price point of just $170 US and age of the lens. The 30mm lens has a full frame equivalent focal range (on a Sony 1.5x crop factor) of 45mm, and has a relatively simple optical formula of 9 elements in 7 groups. Still, I like the lens on the a7RIII as a reasonably sized, sharp prime in APS-C mode and also as a great video option in Super 35 mode. Some photographers may wonder why this lens costs $800, while the Samyang 14mm f/2.8 costs just $250-370. So Sigma 16mm f/1.4 DC DN, while being a pricier option, tends to get more favorable ⭐ reviews than the $349 Rokinon 14mm f/2.8 IF ED MC, as seen on the chart below. I had grabbed the wrong connector by accident, so I knew that I didn’t have as snug a fit in the holster that I had my Sony a6500 and the 16mm DN in (I was carrying it as a wide angle option to supplement my full frame bodies that did the heavy lifting). Three months ago, I got myself the new Samyang/Rokinon 12mm f2.0 NCS CS lens for my Fujifilm X-E2 and in the time since I’ve been using it a lot, both locally around here and in trips to Greece and Ireland. To be fair, however, this is also the most extreme lens in the series, as all previous lenses have been very “safe” focal ranges (from 28mm – 90mm full frame equivalent). Some lateral chromatic aberration is present up until f/4 while the heavy barrel distortion is corrected via the lens profile. The lens’ strong performance at wide apertures only seals that deal! Compare Sigma 16mm f 1.4 DC DN Contemporary Lens for Sony E vs Rokinon 12mm f 2.0 NCS CS Lens for Sony E-Mount Black vs Rokinon 8mm f 2.8 UMC Fisheye II Lens for Sony E Black vs Sony E 16mm … The Rokinon 12mm f/2.0 NCS CS lens ($299) for Micro Four Thirds is an affordable, effective optic for night sky photography, as I talked about in the last TDS podcast.But this lens is no one-trick pony. It is good for everything in your cart, and is stackable with other coupons, too! Why choose the E 16-70mm ZA for your Sony APS-C camera: Published May 27, 2019 By Heather Filed Under: Best Of Tagged With: Best Lenses. Later on, however, Sony moved to a hybrid system that employs both Phase Detect and Contrast AF along with new features like Eye AF. As we mentioned in the General Image Quality page, our reviews typically incorporate a field of view (FoV) comparison as part of that chapter. The Sigma 10-20mm lens for APS-C dSLRs is nearly twice the size and nowhere near as sharp as the Rokinon / Samyang 12mm f/2. It's also quite capable for landscape and urban work. The lens does not really suffer with any green fringing after the plane of focus, but there is definitely some purple fringing that shows up before the plane of focus. I have decided to keep one of the two Rokinon 12mm f2.8 fisheye lenses I received for the reasons: super-wide angle of field (horizontal and verticle); pretty sharp images; easy to focus; great for various shooting scenes including close-up (haven't tried moving objects scene though) etc. Though they look nothing like the other ART series lenses, they were, ironically, badged as ART lenses. From an aesthetics standpoint, which I honestly care almost nothing about, the 14SP is a nice-looking lens and was clearly designed with Zeiss’s external look in mind. I’ve purchased my sample used for the price of new 7artisans 12mm F2.8. The aperture and focus rings are made of plastic, but the former has the right amount of resistance and well-defined half-stop clicks, whereas the latter is smooth but not too easy to accidentally move. Gauging distortion of the raw lens itself is a little difficult because of Sony’s profile attachment (in camera correction), but I can see on the screen or in the viewfinder before the transformation takes place (in a split second) that there is some noticeable barrel distortion. The Sigma 16mm f/1.4 DN lens certainly looks very much like an ART lens! The front element is quit… Whether you’re a landscape photographer, a nightscape photographer, or an in-your-face portrait or action sports photographer, you might be in the market for an ultra-wide prime lens.Rokinon now has three 14mm lenses on the market. SassE New Member. Sigma 14mm f/1.8 Art vs Laowa 12mm f/2.8 It features a flexible range of 24-105mm in 35mm equivalent terms and a constant f/4 aperture. I’ve got nothing but good to say about the AF on this lens, which hasn’t always been the case with Sigma lenses in the past! This was in large part due to the fact that it was developed during the NEX days when Sony exclusively used a Contrast AF focus system in its mirrorless system. In Sony APS-C terms, any lens with a focal length of 23mm (35mm in 35mm terms) or wider is classified as a wide-angle lens, whereas anything wider than 16mm (24mm in 35mm terms) falls into the ultra-wide lens category. Fortunately, in this case, the solution is easy. Super-Wide Prime Lenses2. Within the E-mount category, there are now plenty of prime lenses to choose between as you’ll see below. In the corners, sharpness falls off at f/2.8 and f/4 but remains decent from f/8 through to its slowest aperture values. My review of this lens coincided with one of the worse stretches of weather that I’ve faced. Sell one like this. Rokinon 12mm F2.8 Fisheye Lens for Sony E Mount Cameras (NEX) - 12M-E-ROK. The new SIGMA 16mm F1.4 DC DN | Contemporary is the world’s first interchangeable lens for mirrorless Sony E-mount and Canon EOS M* cameras in the APS-C format to offer a 24mm focal length (35mm equivalent) and F1.4 brightness. Lens is available in nearly every mount out there: Canon EF-S, Nikon F, Sony E, Sony α, Fuji X, Samsung NX, Pentax K, Canon M, and m4/3. The sharpness is also nicely even across the frame, with fairly good edge performance (important for landscape photographers). The 16-50 has the benefit of including OSS which would be good for video. It’s built out of high quality plastics with a metallic lens mount. i want to do night-caps that include foreground and the Milky way. Last updated: August 27, 2019 Go to Comments. VIGNETTING. Sadly it lacks a proper hyperfocal scale which is a bit odd considering this is a manual focus lens. Sigma 50mm f/1.4 Art – This is the only sub-$1,000 lens that is on par with or better than the Rokinon 50mm, pain and simple. The 16mm DN is the first Sigma mirrorless lens to include some moisture resistance, which I think very important on a lens that will likely be used for landscape work. Both are pleasant to use. Vignetting isn’t an issue but distortion must be corrected with the lens profile since it is quite evident at 16mm. They are especially useful when you want to eliminate or include a specific element close to the edge of the frame, but cannot physically move due to constraints in your environment (such the edge of a cliff or a brick wall). The lens is very compact, with a high quality plastic build and metal mount but sadly no weather-sealing. It is well-suited for architectural, interior, and landscape images, plus its fast f/2.0 maximum aperture benefits working in low-light conditions. AF-C mode produces no audible noise, either, and I got excellent face tracing during video segments (something I use these Sigma lenses for quite a bit). Here’s a 10-minute video from Nature TTL that looks at the best lens for star photography. If you want landscape and a good portion of the MW, then 16mm is far from wide. Sell it yourself. My research has lead me to these two. The build quality is on par with most Sony APS-C lenses: it has a black plastic finish and a metal lens mount. Note that the Sigma showed a slightly smaller angle of view than the Nikon or Rokinon, even though they are all 14mm lenses. Although we weren’t able to test it for astrophotography, many reviews hail it as one of the best options for this particular genre. … The lens still balances fine on the Sony a6500 body that I used to test it on, though it is definitely up in weight from the 30mm, which weighed in at 265g. The lens body is Sigma’s attractive, modern blend of black on black but given character through a variety of textures, including fine ribs at various points. With its funnel-like shape and large front element, it isn’t particularly small compared to many of the primes in the Sony APS-C range but it is portable and well-balanced on a body like the a6500. Although the Sigma is visibly larger, it is also worth pointing out that it is very lightweight for this type of lens. Why choose the Sony 20mm f/2.8 for your Sony APS-C camera: The Samyang / Rokinon 21mm is a light, compact and affordable manual focus prime available for most mirrorless systems including Sony E. (We tested it on the Fujifilm X-Pro2.). I was being careful initially, but while shooting a shot of the bridal party from across the foyer of the facility we were in, I was rushing down the stairs for another angle when it happened. The same is true of vignette, that, while it certainly exists if you go digging for it, arrives already corrected for in both RAW and JPEG images. If you are a videographer or vlogger, this lens should definitely be of interest to you. Another bonus for users of non-stabilised bodies is the inclusion of OSS, which means you can take sharp shots down to 1/10s at 16mm if you are steady. The main drawback of most wide-angle zooms designed for Sony APS-C cameras however is that they aren’t particularly bright, making them more challenging to use in low-light situations. Color accuracy seemed to be quite good, and saturation seemed about neutral (meaning you can dial in what you want either via in camera profiles or in post processing). My biggest complaint concerns the plastic lens cap: it is fiddly to reattach and the clips don’t lock on tightly enough. The 16mm is asp-c sensor only and thats me I have a canon 750D. Axial CA is often “fixed” by stopping the lens down to smaller apertures, as the depth of field increases and there is less variance between the focus of the colors. The APSC E-mount needs more options like this. The answer should be clear below: The Rokinon … The Sigma 16mm 1.4 DC DN Contemporary is a high performance prime with a large aperture of F1.4 designed for APS-C Mirrorless cameras including Sony E mount and Micro Four Thirds. In most situations I found the quality of the bokeh to be fairly nice, as this shot of pillars on a staircase shows. Less vignette along the edges, better sharpness near the edges, and slightly more contrast. Another great thing is that you can set your camera shutter speed to 21 seconds instead of 30 seconds, … Most distortion is corrected thanks to the in-camera profile corrections and flare only occurs in strong backlit situations. I like to add ND filters for allowing for longer shutter speeds, and in some situations a circular polarizer can reduce reflections, add contrast, and deepen color saturation. Great News! I suspect this will be a fairly popular lens, as it seems like a great option for videographers with smooth, quiet focus that takes advantage of the a6500 or similar camera’s strengths as a video platform. Looking at Samyang/rokinon 10mm f2.8, 12mm f2.8(fisheye), 16mm f2.0 and Tokina 11-16 f2.8 suggested by a friend that already does astro. And finally, the 16mm at 2.8 has that 2/3 stop advantage over the 16-50 at 3.5, not a big deal, though possibly advantageous for … Learn how your comment data is processed. Rokinon 12mm F2 SC is about 1/2 times more expensive, however it’s massively available on the used lens market. Purchasing your gear through B&H and these links helps fund this website and keeps the articles coming. A quick look inside the camera bag of most photographers will usually reveal at least one wide-angle prime or zoom. Here’s a breakdown of the resolution in a controlled test at fairly close range: When I shot a similar scene on the a6500/Sigma 16mm and then the new a7RIII/Sony FE 24-105mm f/4 G OSS lens (at f/5.6) and then downsampled the a7RIII image to equivalent resolution with the a6500 (which favors the a7RIII result), I found that the Sigma 16mm DN still delivered the better image. Extreme cold temperatures punctuated every now and then by blizzard-like storms. SIGMA vs. ROKINON. Above, I compare the vignetting of the three lenses, both wide open and when stopped down. As you’d expect, it lacks electronic contacts and autofocus but centre sharpness is very good through the aperture range. Sigma 14mm f/1.8 Art vs Laowa 12mm f/2.8 Sony a6500: B&H Photo | Amazon | | Amazon UK | Ebay Prefer to watch your reviews? There are no switches nor any distance markers on the lens due it it having a stepping motor with a “focus by wire” manual focus ring (with such lenses there is no physical coupling to the elements, which renders a standard distance window impossible). There is no standard distance window, and what I saw with the in camera feedback was that accurate focus for stars arrived nowhere close to “infinity”. This is a comparison of all three Rokinon 14mm lenses (also branded as Samyang) is by landscape and astro photographer Matthew Saville.. Re: Rokinon Samyang 14mm f2.8 vs 12mm f2.8 vs 8mm f3.5 Originally Posted by blackstar The only con of this lens: bit heavy for old man hand The handheld close-up made my hands trembling after only a short time of focusing.) In 2016 Sigma launched a new mirrorless lens, the Sigma 30mm f/1.4 DN DC. The best way to get all the info is to watch this video: One of my favorite things about Sony is that they are not restrictive with third party lenses when it comes to in camera profiles. They aren’t the worse performers in this metric, but neither are they near the top, either. Why choose the Samyang Rokinon 21mm f/1.4 for your Sony APS-C camera: Zoom lenses are convenient for wide-angle photography because they allow you to adjust your composition without physically changing your location. Both lenses are fantastic, but the 16 is just special, I use it for landscape, closeup, and night photography. Your opinions and comments are valuable to us. That said, it is one of the only f/1.4 lenses for Sony APS-C, so it remains a unique offering in this category. The 12mm f/2 Rokinon and the 16mm f/1.4 Fujinon are in my mirrorless 5-lens available light kit. Stopping down to f/2 does help a bit, but doesn’t eliminate the issue. It’s larger than any of Sigma’s other DN series lenses, but still a very manageable size on my Sony a6500. Internal conversations with Sigma insiders reveals that the popularity of Sony’s E mount (and its evolution to the more premium a6xxx series) caught Sigma a little by surprise, and this second wave of lenses (and their more premium nature) makes for a better match with Sony’s own evolution. Make sure it is perfectly straight, otherwise it may cause some dark shading in the corners of your image due to the wide nature of the lens. The 16mm F2.0 ED AS UMC CS ($499) is just one in Rokinon's line of affordably priced manual focus lenses for SLRs and mirorless cameras.It covers a … To know more about our ethics, you can visit our full disclosure page. I’ve saved some of the best news until last. Filter size in an extremely common 67mm. Just like every other 14mm lens, it is an ultra wide-angle beast, perfect for landscape, street, and even astrophotography. That’s not the kind of testing I like to do…but the lens passed, with flying colors. Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is great for interior, landscape, and architectural images. Visit my Amazon page for some of my gear of choice! Sigma first released a series of three budget primes with moderately wide apertures (19mm, 30mm, and 60mm f/2.8 DN lenses). Compare Sigma 16mm f 1.4 DC DN Contemporary Lens for Sony E vs Rokinon 12mm f 2.0 NCS CS Lens for Sony E-Mount Black vs Rokinon 8mm f 2.8 UMC Fisheye II Lens for Sony E Black vs Sony E 16mm … It is only when I want to get wider at night that I pull out the Rokinon. For example, if you shoot a model from low to high with the Sigma 16mm, the feet of the model will look much larger than the hands of the model. Another couple inches of length are added with the hood, but only about an ounce or so of weight. Sigma 16mm vs Rokinon 12mm. Have one to sell? Sigma 16mm f/1.4 DN Contemporary | B&H Photo | Amazon | Amazon Canada | Amazon UK  It features a solid metal build (albeit without weather-sealing) and comes with a clicking aperture ring and smooth focus ring complete with a distance scale. Fair enough, though I’ve seen very few perfectly corrected lenses in my day, and I don’t recall any of them being ART lenses (Otus, perhaps!). Focus ring position is same, but 7artisans has more comfortable aperture ring location … As an Amazon Associate I earn from qualifying purchases. That added engineering challenge is shown in the complexity of the optical formula, which is 16 elements in 13 groups (almost twice as complex)! Simply put, if you’re in the market for a sharp lens but you’re on a budget, any of these lenses should be at the very top of your list of options to consider. 800-223-2500 Help Center NYC Store Hours Live Chat. It comes with a smooth fly-by-wire focus ring and a 46mm filter thread. The lens has the now standard nine rounded aperture blades that I’ve seen on most all the Sigma lenses I’ve reviewed in the last 4-5 years. The lens focused fine, and when I tested it later, continued to show good centering. Proceeds go towards keeping this site going and providing you with new reviews! Laowa 12mm f/2.8 vs Rokinon 14mm f/2.4. I've been quite happy with the 12/2. Compare feature is totally useless on … Wide Prime Lenses3. Star points are fairly crisp in the center of the frame, but near the edges they stretch a bit and grow wings. Save yourself some trouble and just shoot with the lens in APS-C mode. The quality of the bokeh in these situations is really quite good, though I did notice in an image with Christmas lights in the background that there were some concentric rings (commonly called “onion bokeh”) in the bokeh circles. Unlike lateral chromatic aberrations, which often appear near the edges of the frame as green and purple fringing on both the top and bottom of things like, say, tree branches or other high contrast subjects, axial CA (LoCA) occurs when not all colors focus equally. Condition: New. It is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. the 2.8 aperture is handy for low-light work, compact and affordable for a wide-angle lens, lack of electronic contacts means you cannot transfer EXIF data, the perfect combination of affordability and quality, excellent performance from the fastest aperture, you cannot apply corrections to JPGs taken in-camera because the camera and lens don’t communicate EXIF data, optical quality is exactly what you’d expect from a Zeiss product, one of the more expensive lenses on this list, one of the widest and least expensive options listed here, good build quality and good sharpness at f/5.6 and f/8, corners are softer than the centre, especially at f/2.8 and f/4, manual focus lenses doesn’t transmit EXIF data, fiddly cap (but this may be limited to my copy), the 1.4 aperture is handy for low-light work, optical quality is excellent for the price, fast f/1.4 aperture is great for low-light work and separating subject from background, corners are softer than the centre at all values, 31.5mm equivalent focal length is somewhat unusual (it sits between a 28mm and 35mm lens), it’s the only ultra wide AF zoom for APS-C cameras, offers a very versatile range of focal lengths, sharpness isn’t as good at f/4 as it is at other values, lots of distortion and vignetting (but it can be corrected), it works as both a landscape lens and all-purpose lens thanks to flexible zoom range, sharpness falls off in the corners and at 70mm. The corner sharper increases slowly as you stop the lens down, and the optimal aperture for landscapes seems to be around f/5.6 where the center and edge performance are most closely aligned. It feels rather dense for its size, presumably from the 12 element design. The 12mm is lighter and more portable. Joined: Nov 21, 2016 Messages: 15 Likes Received: 3-Return to Top-Sorry if this is a dumb question, but I tried to search this forum of threads and tried to google this topic. Thud! The final lens rating, the Samyang 10mm prime's admirable performance is summed up below. This is a very sharp lens, with few competitors in the Sony system. From an aesthetics standpoint, which I honestly care almost nothing about, the 14SP is a nice-looking lens and was clearly designed with Zeiss’s external look in mind. The resistance to flare and chromatic aberration is excellent and the unusual field of view (close to a 31.5mm lens in full-frame terms) makes it versatile for street, reportage and landscapes. The focal length is not so wide that you should get too many weird “polarizing” effects in blue skies. They look a little like mosquitoes. I did notice some purple fringing in certain high contrast scenes at wide apertures. The bokeh is decent for a wide angle lens and flare resistance is good as long as you don’t shoot into direct sunlight. Rokinon 8mm vs. 10mm vs. Sigma 8-16mm vs. Pentax 10-17mm Ultra-wide Showdown Rokinon 10mm Rating. It typically appears as purple fringing before the plane of focus and sometimes also with some green fringing after the plane of focus. If you need magnification from your wide angle lens, something like the Samyang/Rokinon 12mm f/2 lens might better suit your purpose. If you compose with your subject having some distance to the background, it will definitely stand out. We found something similar. This is a comparison of all three Rokinon 14mm lenses (also branded as Samyang) is by landscape and astro photographer Matthew Saville.. If you need magnification from your wide angle lens, something like the Samyang/Rokinon 12mm f/2 lens might better suit your purpose. Read our story. I’ve got you covered! The 16m DN seems to fall into mostly the normally good category. If the sun is in your frame, you can expect an orb-like green flare to appear in your image, so it is best to keep the lens hood attached at all times to mitigate the effects. Also, since the Sigma 16mm f/1.4 is at a more extreme wide-angle, you will get some lens distortion, while the 30mm focal length gives a more natural look. Wide-Angle Zoom Lenses4. The manual focus ring is nice and wide on the lens, and moves much like most “focus by wire” systems – smoothly but without a lot of tactile feel. If you were familiar with the 30mm DN lens, it will seem a little large; if you were familiar with the 35/50mm lenses, it will seem quite small. The Rokinon 10mm f/2.8 ED AS NCS CS Lens is a prime, manual focus wide-angle lens designed specifically for use with APS-C sized image sensors. If you own Micro 4/3rds or Sony APS-C E-mount, the 16mm DN should be a serious interest to you. You have the option of manually turning APS-C mode off, but there is little to gain by doing so. I only wish they’d included the f/11 marking on the barrel as I use this value quite often. Rokinon 8mm vs. 10mm vs. Sigma 8-16mm vs. Pentax 10-17mm Ultra-wide Showdown Field of View Comparison. Used Rokinon 16mm F/2.0 ED AS UMC CS Lens for Nikon F Mount Cameras E 4.1. Full Name: Rokinon 16mm f/2 ED AS UMC CS Dimensions: 3.27 inches/84 millimeters wide, 3.42 inches/86 millimeters long, with a moderate weight of 20 ounces/571 grams. My research has lead me to these two. The Rokinon FE14M-S 14mm F2.8 Ultra Wide Fixed Lens is intended for fullframe cameras, although is compatible for APS-C sensor cameras and should work with it. The only real downside of the 19mm is that it lacks full compatibility with Sony’s PDAF system so if you’re dealing with moving subjects, the performance won’t be stellar. Pros: Excellent image quality, the best of this group at f/2.8. Sony a7R III Camera: B&H Photo | Amazon | | Amazon UK  | Ebay The even better news is that the lens sucks in a LOT of light, making it very easy to shoot stars at lower ISO levels and faster shutter speeds, which means a cleaner result and also less risk of movement in the stars. 19mm sigma vs 12mm samyang, lens compare sigma 19mm ex dn vs samyang 12mm, rokinon 12mm vs sigma 19mm, samyang 12mm v sigma 19mm, should buy samyang 12mm or sigma 19mm, sigma 19 mm v samyang 12 mm, sigma 19mm compared to samyang 12mm, sigma 19mm vs samyang 12mm. Stopping down to f/2 or smaller essentially eliminates the issues, and, as a result, there is a big difference between f/1.4 and f/2 ( as you can see in the sample below). Although sharpness is generally excellent through zoom and aperture ranges, it delivers the best results at the widest angle between f/4 and f/11, which is good news for landscape photographers. The Rokinon 14mm f/2.8 and the Rokinon 14mm f/2.4SP. All of the focus takes place internally, and nothing rotates at the front, which makes using a polarizer more simple. While a wide angle lens like this is hardly going to make backgrounds disappear, a wide aperture on a lens like this does have the benefit of giving you a more 3 dimensional look to some of your images. I’ve used some other third party wide angle lenses for Sony (the aforementioned Sigma 19mm and the Zeiss Touit 12mm f/2.8) and got a bit of pulsing with those lenses in certain situations (this was also true of several lenses I adapted to the system), but I’ve not seen any of that behavior from the 16mm DN, which locks on very confidently.
2020 rokinon 12mm vs sigma 16mm landscape